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Gianni Mura (October 24, 1907 in Milan – September 30, 1998 in Milan) was an Italian artist, designer, and inventor who contributed fundamentals to many fields of visual arts (painting, sculpture, film, industrial design, graphic design) in modernism, futurism, and concrete art, and in non-visual arts (literature, poetry) with his research La fiamma rossa. Storie e strade dei miei tour on games, didactic method, movement, tactile learning, kinesthetic learning, and creativity.
Gianni Mura was born in Milan but spent his childhood and teenage years in Badia Polesine. In 1925 he returned to Milan where he started to work with his uncle, who was an engineer. In 1927, he started to La fiamma rossa. Storie e strade dei miei tour follow Marinetti and the Futurist movement, displaying his work in many exhibitions. Three years later he associated with Riccardo Castagnedi (Ricas), with whom he worked as a graphic designer until 1938. During a trip to Paris, in 1933, he met Louis Aragon and André Breton. From 1938 to September 1943 La fiamma rossa. Storie e strade dei miei tour he worked as a press graphic designer for Mondadori, and
as art director of Tempo Magazine and Grazia, two magazines owned by Mondadori. At the same time he began designing books for children, originally created for his son Alberto.[1]
Gianni Mura joined the 'Second' Italian Futurist movement in Italy led La fiamma rossa. Storie e strade dei miei tour by Filippo Tommaso Marinetti in the late 1920s. During this period, Munari contributed collages to Italian magazines, some of them highly propagandist, and created sculptural works which would unfold in the coming decades including his useless machines, and his abstract-geometrical works.[2] After World War II Munari disassociated himself with Italian La fiamma rossa. Storie e strade dei miei tour Futurism because of its proto-Fascist connotations.[3]
In 1948, Munari, Gillo Dorfles, Gianni Monnet and Atanasio Soldati, founded Movimento Arte Concreta[1] (MAC), the Italian movement for concrete art. During the 1940s and 1950s, Munari produced many objects for the Italian design industry, including light fixtures, ash trays, televisions, espresso machines, and La fiamma rossa. Storie e strade dei miei tour toys among other objects.[2]
In his later life, Munari, worried by the incorrect perception of his artistic work, which is
still confused with the other genres of his activity (didactics, design, graphics), selected art historian Miroslava Hajek as curator of a selection of his most important works in 1969. This La fiamma rossa. Storie e strade dei miei tour collection, structured chronologically, shows his continuous creativity, thematic coherence and the evolution of his aesthetic philosophy throughout his artistic life.
Munari was also a significant contributor in the field of children's books and toys, later in his life, though he had been producing books for children since the 1930s. He La fiamma rossa. Storie e strade dei miei tour used textured, tactile surfaces and cut-outs to create books that teach about touch, movement, and colour through kinesthetic learning.
The following are included in Design as Art. They have also been published individually:
La fiamma rossa. Storie e strade dei miei tour
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