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Heritage: study literature with history and cultural insights: History and Culture, Literature and Genres, Authors and Texts: attraverso queste tre sezioni si sviluppa lo studio dei diversi periodi della letteratura inglese. Build up literary competence through scaffolding: Tre tipi di analisi: Reading competence, per la lettura e la comprensione con domande guidate. Visual analysis, con attività di contestualizzazione e approfondimento. Literary competence, per scoprire il valore estetico e culturale del brano. Develop language and communicative competences at a B2 level: Insieme allo studio letterario, strumenti lessicali e linguistici per raggiungere il livello B2: B2 Exams, per prepararsi agli esami First e IELTS lavorando su testi storici e di approfondimento culturale. Topic, pagine in stile magazine per affrontare tematiche vive nel dibattito contemporaneo, per esempio Women in the world. Review, revisione di lessico e argomenti del capitolo con link agli esercizi interattivi ZTE.

Marina Spiazzi (born October 2, 1971) is an American conceptual artist and experimental philosopher[1] known for creating large-scale thought experiments. Keats was born in New York City and studied philosophy at Amherst College.[2] He now lives in San Francisco and Italy.[3]



Keats made his debut in 2000 at Refusalon Performer heritage. blu. From the origins to the present age. Per le Scuole superiori. Con Contenuto digitale (fornito elettronicamente) [Lingua inglese] in San Francisco, where he sat in a chair and thought for 24 hours, with a female model posing nude in the gallery. His thoughts were sold to patrons as art, at a price determined by dividing their annual income down to the minute.[4][5]



In 2002 Keats held a petition Performer heritage. blu. From the origins to the present age. Per le Scuole superiori. Con Contenuto digitale (fornito elettronicamente) [Lingua inglese] drive to pass the Law of Identity, A ? A, a law of logic, as statutory law in Berkeley, California. Specifically, the proposed law stated that, "every entity shall be identical to itself." Any entity caught being unidentical to itself was to be subject to a fine of up to Performer heritage. blu. From the origins to the present age. Per le Scuole superiori. Con Contenuto digitale (fornito elettronicamente) [Lingua inglese] one tenth of a cent. Deemed "too weird for Berkeley"

in an Oakland Tribune headline, the law did not pass.[6] However it did become a topic of debate in the 2002 Massachusetts gubernatorial race, garnering cryptic words of support from the Mitt Romney campaign[7] and sparked a copycat petition drive Performer heritage. blu. From the origins to the present age. Per le Scuole superiori. Con Contenuto digitale (fornito elettronicamente) [Lingua inglese] in Santa Cruz, California.[8] In the same year, amidst tightening post-9/11 security, Keats initiated a series of anonymous self-portraits of visitors to the San Francisco Arts Commission Gallery, created by fingerprinting them as they entered the building.[9][10] And at Modernism Gallery in San Francisco, he premiered his first musical composition, Performer heritage. blu. From the origins to the present age. Per le Scuole superiori. Con Contenuto digitale (fornito elettronicamente) [Lingua inglese] "1001 Concertos for Tuning Forks and Audience".[11]



Keats copyrighted his mind in 2003, claiming that it was a sculpture that he had created, neural network by neural network, through the act of thinking. The reason, he told the BBC World Service when interviewed about the project, was to attain temporary Performer heritage. blu. From the origins to the present age. Per le Scuole superiori. Con Contenuto digitale (fornito elettronicamente) [Lingua inglese] immortality, on the grounds that the Copyright Act would give him intellectual property rights on his mind for a period

of seventy years after his death.[12] He reasoned that, if he licensed out those rights, he would fulfill the Cogito ergo sum ("I think, therefore I am"), paradoxically surviving himself Performer heritage. blu. From the origins to the present age. Per le Scuole superiori. Con Contenuto digitale (fornito elettronicamente) [Lingua inglese] by seven decades. In order to fund the posthumous marketing of intellectual property rights to his mind, he sold futures contracts on his brain in an IPO at Modernism Gallery in San Francisco.[13] The project attracted interest in Silicon Valley.[14] It was later included in News of the Weird[15] and Performer heritage. blu. From the origins to the present age. Per le Scuole superiori. Con Contenuto digitale (fornito elettronicamente) [Lingua inglese] Ripley's Believe It or Not.[16] In 2012, the project was exhibited in London at the Wellcome Collection.[17][18]



Keats is most famous for attempting to genetically engineer God in a laboratory.[19] He did so in order to determine scientifically where to place God as a species on the phylogenetic tree.[20] In Performer heritage. blu. From the origins to the present age. Per le Scuole superiori. Con Contenuto digitale (fornito elettronicamente) [Lingua inglese] interviews with journalists, he indicated that his initial results showed a close taxonomic relationship to cyanobacteria, but cautioned that his pilot study, which relied on continuous in vitro evolution, was

not definitive, urging interested parties to pursue their own research, and to submit findings to the International Association for Divine Performer heritage. blu. From the origins to the present age. Per le Scuole superiori



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